When she walked, history walked with her. With every step she took, she moved one step further away from the Dust Bowl. Stories she told me of her youth were tinged with beauty and sorrow. She had Oklahoma roots and got married at the heart of The Great Depression.
A few months after her husband died in the early 1980's, I moved onto her street. What had brought my family to this small New Mexico town was an oil boom, it was probably something similar that had brought her family there in the 1940's. Her name was Emma and she was all that was good about the last Lost Generation.
A House Full of the 20th Century
The photo of her as a young woman on an Art Deco dresser celebrated her flapper-style hair - a symbol of the Gilded Age. She had a turn-of-the-century typewriter with yellowed keys that I'd softly touch in order not to break them. She had a classic phonograph with a stack of records neatly stacked inside brown paper envelopes. I would lift the lid to peak inside, imagining the ragtime, jazz, and all of the roaring '20s that would've emerged from it.
When I'd come over, my 1980's bright pink school bag would lay against her tired blue 1940's couch. I'd set down my Houghton Mifflin readers on her Mid-Century end tables, stacked with piles of 1970's Reader's Digest magazines. She had collected furniture from the 1920's through the 1950's until the year came when the house was fully furnished. Knickknacks from every decade up until the 1960's congregated in her rooms until the day came when the shelves no longer held any space.
When I'd come over, my 1980's bright pink school bag would lay against her tired blue 1940's couch. I'd set down my Houghton Mifflin readers on her Mid-Century end tables, stacked with piles of 1970's Reader's Digest magazines. She had collected furniture from the 1920's through the 1950's until the year came when the house was fully furnished. Knickknacks from every decade up until the 1960's congregated in her rooms until the day came when the shelves no longer held any space.
As if the Whole 20th Century Lived at One Address...
Her rotary phone would spin around with a soft tat tat tat as she would call a friend. I would finish my homework and watch Leave It to Beaver after turning through the channels with a loud clack clack clack on her monolithic TV. For 30 minutes, I could experience an idealized Golden Era American family in black-and-white pixels after eating peanut butter on saltine crackers. She would make me iced tea on hot days in 1950's aluminum cups and hot chocolate on cold days from 1920's Fiestaware cups.
As a child, it felt as if all of space and time of the 20th century came together in her post-war house, where I would sit at the breakfast bar of her retro kitchen, and on a gold-speckled, Atomic-Age laminate counter top I would eat a bowl of her Depression-Era stew, and feel full, and loved. And when I sat there, next to her piles of letters and Christmas cards, I was connected to all of the decades, and to the people who had lived in those decades, and to their sorrows and joys.
She had a faraway, foreboding look in her eyes when tornadoes ripped across the land. That same look reappeared when she spoke of the dust storms that had devastated Midwest farms in the 1930's. When the sky would go dark and the twisters would touch down, we would hide in the closet in the middle of the house. May 27, 1982, was one of those days. The red, handheld transistor radio in her shaking hands gave us the news that twin tornadoes were ripping through our small town. Her quiet strength sustained us because she had survived things like this before and could survive it all again.
She and most of her friends lived in Texas-style ranch houses. And always above them was the pure blue New Mexico sky, the desert sun, and the brightest pink sunsets in the evenings. I would walk the blond brick edging of her front yard like a tight rope. Tiny pink blossoms would emerge on her trees as the grass would tenaciously turn back to green after a long winter.
That town had gone through many phases of boom and bust long before I ever got there, and continued in this pattern long after I left there all those decades ago. Twenty-somethings now put sub-woofers in their houses where old Victrolas used to sit, and what the younger generations do not know - but that they will soon come to know - is that there is nothing new under the sun.
Emma's life was beautifully ascetic. For her, every season was Lent. She was quick to give away a meal she was about to eat if someone else needed it, like the selfless heroes Steinbeck wrote of who had once lived in Hoovervilles.
The Golden Years and Little Golden Books
She was an incredibly altruistic caregiver to her friends in their final stages of life - some men, mostly women, many widowed. Some of them were in hospitals or nursing homes, most of them chose to die at home. She would be babysitting me on those after-school afternoons or long summer days, so she would take me with her to their houses. I remember their post-war kitchens,
Some mornings, we would pop over to a friend's house and put sugar cubes in melamine cups to the comforting bubbly sound of a percolating coffee pot as we'd chat at their kitchen tables.
Some days at lunch time, we would take them hot dogs and fries with root beer or fried chicken and mashed potatoes with cream soda.
Some afternoons, Emma sat at their bedsides to comfort them in their final days as I would thumb through sets of Little Golden Books that had once belonged to their children or grandchildren, or I would play on their rusty backyard swing sets next to patches of dirt that had once been victory gardens. She had so many friends, many of them a decade or so older than her, and so many of them were dying.
The Golden Years and Little Golden Books
She was an incredibly altruistic caregiver to her friends in their final stages of life - some men, mostly women, many widowed. Some of them were in hospitals or nursing homes, most of them chose to die at home. She would be babysitting me on those after-school afternoons or long summer days, so she would take me with her to their houses. I remember their post-war kitchens,
pink and blue monuments to a delayed American dream.
Some days at lunch time, we would take them hot dogs and fries with root beer or fried chicken and mashed potatoes with cream soda.
Some afternoons, Emma sat at their bedsides to comfort them in their final days as I would thumb through sets of Little Golden Books that had once belonged to their children or grandchildren, or I would play on their rusty backyard swing sets next to patches of dirt that had once been victory gardens. She had so many friends, many of them a decade or so older than her, and so many of them were dying.
Two Kinds of Death
Some of their deaths were peaceful, as if they were looking back on their lives and the love they had given and were satisfied. You could see in their eyes they were looking past the horizon, to the other side, as they began to ascend from this world. They were reflecting on the grace of the story of their lives, and seemed to be moving miraculously beyond whatever scars life had left on them. As days passed, even as their breaths became more shallow, their joy became more deep. Sometimes they would look at my young face with this radiant love, telling me I was the hope of the future. Sometimes they would give my hand a gentle squeeze as if to physically pass on some encrypted ancient wisdom for humanity to carry on. They knew, as I did, that I was deeply fortunate to stand in their holy space as they began the journey from this life to the next.
And some of her dying friends would hint that I should not have come along to visit...that I had no understanding of their suffering. Some of them looked at me, as we would walk into the painful space of where they were struggling to exit this world like I had no right to be there. And maybe I didn't. What did I know of the factories they had worked in as children, or the poor houses they had lived in as teenagers, or the soup lines they had stood in as adults, even after surviving the Great War? Sometimes, as Emma took care of them, I was asked to leave the room for a while, and though it was not easy for her to do, she would hear their final confessions. I would go from looking at the amber plastic prescription bottles on the TV trays in their bedrooms, to the 1940's green jadeite dishes on the shelves of their living rooms.
Some of the deaths of Emma's friends were not peaceful. They were angry, even bitter, and in a place of palpable loneliness that maybe they had created for themselves, or maybe because most everyone they loved was already gone. Sometimes their curtains were closed tightly even while sunlight waited disheartened by their window. They would be shivering with cold though the intense heat of summer was hanging in the street. It was hard to understand with my child-mind why they were like this, but life eventually takes us all to the edges of despondency at one time or another so that it is hard to let any light into the room at all. In those days, I quietly learned the significance of letting go of hate, because seeing hate in a dying person's eyes, the kind they were completely unwilling to let go of, may be the worst thing I'd ever seen.
It was a fiercely beautiful and and intensely ugly experience to watch all these people in their final days. As a young elementary school child, I watched the Lost Generation die.
Sometimes, we would stop by someone's house and we would find her dying friends watching game shows. I remember her saying that when you are dying, it may be time to turn the TV off. As a nine year old, game shows became synonymous in my mind with a reckless diversion - getting to the end of our time on earth and avoiding the unfinished business of our lives. To this day, when a game show is on, I get this intense anxiety that I am neglecting the inner work of my soul. While it could seem morbid or unhealthy that I was exposed to so much death at such a young age, it was a profound gift. It made me realize that each person around us is precious and temporary, that we should use every ounce of our energy to serve others and every resource we have to help one another as well. As a child, she taught me the greatest lesson ever: how to live in the right way so that I may someday die in the right way.
Sitting on the Back Row
When I would stay at her house over the weekend, she took me to the First Christian Church. We would sit on the back row together, and open the hymnals, her sweet voice wavering from age as it soared across the songs that had steadied generations who needed hope. Those hymns, as she sang them, made me understand the way one faltering generation passes on their faith to another.
When I would stay at her house over the weekend, she took me to the First Christian Church. We would sit on the back row together, and open the hymnals, her sweet voice wavering from age as it soared across the songs that had steadied generations who needed hope. Those hymns, as she sang them, made me understand the way one faltering generation passes on their faith to another.
I wrote Emma a letter many years later to tell her that her selflessness had stayed with me and that she'd inadvertently had an enormous impact on the person I became and the faith I had. She was, and still is, from my perspective, a saint. If we can have just one person like this in our lives during our formative years, it can sustain us through a lifetime. She was a true embodiment of the Lost Generation, and because of the enormous amount of time she and her friends spent with me in my most formative years, I can say that I was, to a large extent, raised by the Lost Generation.
Sweetest Emma, you were an example of profound compassion, a light in my darkness. I will stand beside you again, on some back row, where we sing to God with voices no longer fragile and wavering, but with voices that are eternal. Some from your generation died with regrets, yet you died knowing you gave every moment you could to others. Your embrace made an enormous hole in my heart disappear, even if just for a moment in time.
Emma who we loved.
Emma Forever.
(c) 2017 by Chloe Koffas. All rights reserved.