Tuesday, July 24, 2018

Visiting the Arcade from the Original Karate Kid Movie

My family and I spent a day this summer at Golf 'n' Stuff, an arcade and fun center in Norwalk, CA which is one of the locations the original Karate Kid was filmed. The Gen X nostalgia here floats above the tables, where arched windows look out upon the mini golf course. A walk through the arcade and around the buildings proved that while some things have changed from when they filmed the movie here in the fall of 1983, some things are amazingly the same....

Many of the 80's games that were shown in the movie have disappeared, like the analog mini hockey game Daniel and Ali played in the movie, and the water slide is now gone. High voltage poles still stand behind it, as if they are there just to power the rides and arcade games.

Main Golf 'n' Stuff sign on the far right

While I was taking some pictures, a man in flip flops and a hoodie who looked very Gen X was giving me this huge smile - he knew exactly what I was doing since nostalgic Xers often stop through here as tourists. It's the kind of place you might visit when you're in the LA area and you've already been to Universal and Paramount, and still want to experience some little piece of film history. Later in the day I saw another fellow Gen X tourist, even as younger people passed him by and had no idea why he was taking photos of the Golf 'n' Stuff sign. 

The mini golf course! On left: mini clock tower, mini Russian Orthodox style church, on right: mini pagoda
There is the feeling here that this is the symbol of any arcade or mini golf course you hung out at as a kid or teenager in Anytown, USA, just as there is this feeling we got from the movie that any of us could be the main character. Most of us know what it feels like to be the underdog. The script was based on a true story of a real Gen Xer from the San Fernando Valley.

I am always looking for the little retro things, little remnants that may go unnoticed, like this blue and white checkered ceiling....

A mix of analog and digital games still fill the arcade, even if most of them are different now.

The bumper boats look the same as they do in the movie.

The little race track looks about the same as it did in the film, though it's no surprise that all the go karts have been replaced.

Part of the mini golf course and its little buildings can be seen behind the snack bar area.

We had the place mostly to ourselves during the breezy, cool California morning, and as the afternoon came, the clouds parted and it gradually began filling up with families and people on dates.

I love retro outdoor tables and the way that they all look similar to each other across America - the bright pops of color of the seats and tables.

Where the main entrance used to be is now a party room that can be rented by the hour.

Inside the party room: it's hard to describe the energy in this space -- it was kind of strange. It was like there were a million memories from the decades, good and bad, that had unfolded in this space during parties and get-togethers. It was all kind of just hanging heavy in the air, like the smell of the pizza they were baking in the ovens nearby. It seemed as if all those memories, those intangible mementos of time, had no other place to go and just got stuck there.

The day we were here, a boy was about to have his birthday party - he was a sweet kid who looked like he was about 12. He held the door for us as we came in, while his Gen X mom was busy setting up decorations on the table they had reserved. I wondered if maybe she once had a Gen X birthday party here as a kid. She probably did.

Movie poster on the wall by some 70's-looking decor
No one expected the original Karate Kid movie to be as successful as it was. All these years later, we are still talking about it, spin offs are still happening. Maybe part the reason the original film became so well-loved was because its cultural value. There weren't many good roles for Asian Americans in films those days and Pat Morita as Mr. Miagi played this wise, lovable father-figure. His role was a breakthrough, he was nominated for an Academy award, and he won the hearts of many Gen Xers.

Along with the cultural piece, there were also spiritual and philosophical components in the film. "Wax on, wax off" has become one of the most well-known movie quotes of all time. It's a philosophy that if you do some seemingly mundane thing many times over, even without realizing it, it can make you more ascetic, or even cause something extraordinary to happen. Occasionally I hear someone talk about how the Miagi philosophy applies to our spiritual life, and I have found it to be true. For those of us Gen Xers who did not have someone like this to look up to, we quietly wished Mr. Miagi was our own mentor, and inadvertently got a profound set of spiritual lessons from the movie -  impulse control, self-discipline, to only fight as a last resort.

No doubt this film was very important during the formative years of Gen X, which was why it was so interesting to visit this place. A view from the middle of the golf course above - possibly the one in the movie where you see Daniel and Ali playing mini-golf on their date. This place seemed so magical when I was a kid. Back in the 80's, my husband who grew up nearby, used to hang out here with friends. While I didn't yet know my husband in the 80's, being here with him, in some small way, makes it feel like I did, and connects us in some magical way through space and time.

Near the end of the visit, I made a stop at the token machine so we could all play a little skee ball. It was the first time I've ever made the 100-point target and the first time my daughter ever did, too!

I had my eye on these little Pac-Man ghosts, but alas, we only had enough tickets for two pieces of candy - that's how it goes when you are out of time for more skee ball and have other places to be!

Our very last stop was the hand-crank machine to make a pressed souvenir penny for my daughter to keep. Of all the amusement parks, museums, and landmarks I went to as a kid, making a penny was always one last moment to savor the experience.

Here's to all the Gen X journeys we go on, the places that we go back to, from movie scenes we watched as kids to the places we once went with our friends that hold memories of our childhood.  At this place, for my family, it was both.

Whether we experienced an important place with one friend, or if we experienced it collectively with our entire generation, all of it is significant. These are the places that made us who we are.



LA Weekly: How a Movie Shot in the San Fernando Valley Made us all the Karate Kid

(c) 2018 writing and photos by Chloe Koffas - all rights reserved

Saturday, June 30, 2018

Welcome to Side Two

When we flip the mix tape of our life over to side two, we are done being the version of who people told us we should be. We begin to find a way to trust ourselves; we begin to find our truest selves. If we spent side one looking to someone else to answer the big questions, side two is where others look to us for the answers.

There is this inherent need in the psyche of human beings to mark their transitions, the shifts of our universe. This Southern California late June sunset was the last sunset of my side one. The sunrise of the following morning was the beginning of my side two.

After about six straight months of a string of profound disappointments, crises, and of life-altering grief, the storm seems to have mostly stopped. What truly amazed me in the past weeks is that whenever I felt I was getting too far out into the water, there was always an unexpected piece of driftwood for me to hold onto, a kind person to reach out to me, more grace to sustain me. Of all the times life has taken me to that place of feeling like I might drown, I'm not sure if I realized how much that grace was there with me.

In my experience, when the universe hands me a crisis, it is giving me an opportunity to let go of something, or to let go of someone. After not having the chance to write for six months, and after my life seems to have re-wired itself, I felt this need to walk across Highway One, and to stand at the edge of the ocean, because this seemed like a place where a person would begin again.

We can spend so much of our younger days trying to be enough for everyone's expectations, but what I really want is not having to keep up. In my Gen X school days, when the last week would come before summer break, the teacher would take down the images on the bulletin boards and nothing was left but a few staples and the remnants of colored paper like leaves from the seasons that we had just weathered. I would get this feeling of relief that I had nothing else to prove, because the year was over, that I no longer had to be cool enough or smart enough - and that I could just be myself for a while.

I have reached this place where I am gradually able to let go of what I thought should be. I've been saying the few, simple lines of the serenity prayer at night. The fuller, original version of this prayer looks as if the writer had skimmed centuries of wisdom from all the major religions of the world. It's a profound enough prayer to be part of the foundation of 12-step programs.

I am realizing that the courage to change the things that I can has been a force in me all along, it's just much bigger now. It's as fierce as any crisis that I have lived through. It helps me to say what needs to be said in the moment and somehow even helps me learn to listen more. And when I have spoken my peace and someone does not listen in return, this is my cue to just peacefully walk away. I have learned in these past months to take life one day, and even one hour, at a time. I am learning to accept the things I cannot change when I have tried for many years and decades to change them.

I am now on side two. 

(c) 2018 - writing and photos by Chloe Koffas 

Sunday, December 31, 2017

Messages from the Lost Generation to Generation X: A One Year Journey

Gen X's Connection to the Lost Generation

While the late wave of the Lost Generation experienced the last years of their lives, Generation X experienced their earliest years. They were the red leaves that had hung on through the worst heat of summer, while we were the green blades of grass shooting up toward the sun, only just realizing how cold the coming winter would become. As I've been on a one-year journey to find the Lost Generation, I have sought their wisdom. And I have realized that these leaves, this generation, even as they fell, were often trying to protect us or give to us in whatever way they could. When I was a small child, my Lost Generation great-grandfather had brought me a seedling tree from Illinois, down Highway 35, and across I-40, and planted it in our front yard. In the summer, it had shadowed me as my pinwheel blew in the soft breeze and, when fall came, it dropped its leaves in the street like little treasures.

When Ethan Hawke's character picks up the phone in Reality Bites and says, "Hello, you've reached the winter of our discontent," he isn't just alluding to the crisis that Gen X remembers as kids, he is reaching back in some way to Steinbeck.

Sinclair Lewis summed up the experience of the Lost Generation: "Winter is not a season, it's an occupation." As generations go, every four cycles is a 'lost generation', and the history that goes with those cycles is always winter, always discontent. This was life for the Lost Generation, this has, in many ways, been life for Generation X.

Why it matters to understand a previous generation is that it helps to better understand our own. Why it matters to study history is so that we don't keep repeating the same mistakes. We are still very much affected today by issues of the Lost Generation. History, as we experience it, is even continuously altered by WWI. One all too real example of this is that many bombs, designed to explode on impact, were left behind in the fields of Europe as the tired arms of soldiers sometimes laid them in the grass and walked away. Today, as farmers plow fields, or as people walk by, those bombs sometimes explode and those people are sometimes injured or killed, even though it is now a hundred years later. This is known, darkly, as the Iron Harvest.

Another chilling example of our connection to the Lost Generation is H1N1. In the winter of 2009, this virus was constantly in the news as a potential pandemic. We stood in line at a clinic for shots in the freezing cold, while volunteers handed us warm blankets. The Red Cross sign on the side of their truck had me thinking about the way they had helped relief efforts during WWI, but I did not know that what we were about to get immunized for was a variation of the same flu that wiped out a large number of the world's population a century before. Sadly, the Lost Generation was born during years that made them more susceptible to this horrible virus because of a different flu they had gotten as children. 

If you are Generation X, you may have known and loved people from the Lost Generation - I surely did. One thing that became more and more clear to me through this year of searching for them, for their wisdom, for their messages left to us, is that they saw our suffering, and knew our suffering because it was painstakingly familiar to them. Their lives were coming to an end as ours were beginning so they were often unable to intervene in our lives or help us in a way they could have if they had been younger, though I think they often did what they were able to in the time they had left.

The Lost Generation lived through a similar pattern of history, and therefore had a similar struggle that Gen X has now, and any wisdom or hope they left behind helps us on our own long journeys. Some of those messages are quoted on this blog over the past year. Beyond that wisdom, these are the two messages I found from them that have affected me the most....

How to Fight

One of those messages is the example they left us of how to fight. There were two well-known truces that took place during WWI: The Christmas Truce of 1914 (which would have been a day that would have the most meaning to soldiers on the Western Front) and the Easter Truce of 1916 (a day that would have the most meaning to soldiers on the Eastern Front). In both cases, soldiers stepped out of their trenches and broke bread with the other side, an act that included both risk and profound love. Many other small, localized truces took place during the war as well. This was a powerful message from the Lost Generation to us: we should always take a moment to see those we consider an enemy as truly human, or even if just for a moment, as brothers and sisters.

How to Have Hope

C.S. Lewis, one of the brightest voices of the Lost Generation, told us the reason our heart yearns for something earth can't supply is proof that heaven must be our home. This is the ultimate hope and the ultimate explanation for why we feel lost, because we are not yet home. This image of hope and light shows up in different ways in the writing of the Lost Generation - it was the green light that the Great Gatsby reached toward over the water, it is the lighthouse that Virginia Woolf told us to look toward.

Here's to the coming new year, when we look toward hope. It will be exactly one century from the year that WWI came to an end. In November of 2018, a centennial memorial for American WWI veterans will finally be opened. Up until now, the veterans of every other major war have been given a monument in Washington D.C., the Lost Generation has not. This is exactly what it means to be a lost generation.

May the Lost Generation rest in peace. And while we've said it for generations, it is always worth saying it again:
Peace on earth.

(c) writing by Chloe Koffas 2017, photos by Chloe, Portland, Oregon


Time Magazine: Solving the Mystery Flu That Killed 50 Million People
WWI Centennial Memorial Info and a link to donate
The Sun Also Rises, Ernest Hemingway
Wikipedia: Iron Harvest 
An Easter Truce, 1916: Gateways to the First World War

Tuesday, December 19, 2017

The Speed of History - Finding the Lost Generation: A One Year Journey

The Lost Generation (born about 1883-1900 or soon after) lived through momentous world history and enormous change - like they were on a speeding train as the years of their lives went by. They saw the New York subway open the same year as the Trans-Siberian Railway (1904). They experienced the first wireless transmission making it across the Atlantic (1901) and they experienced the tragedy when the Titanic did not (1912).

They experienced the first World Series (1903). Norman Rockwell painted moments of their lives that we still remember them by. The second wave of the Lost Generation would have, with small hands, colored with the very first Crayola crayons images of an unfolding modern world that seemed like wonderful things might be possible, at least at first....

As they came of age, if they did not lose someone they loved from the Balkan Wars (1912-13) or WWI (1914-18), they lost someone from the flu pandemic of 1918 which took away a substantial piece of the world's population and even shortened the Lost Generation's life expectancy.

WWI veterans came home to America, Britain, and other places to become disillusioned with a post-war society that did not always welcome them back. Many of them, including some of the most well-known Lost Gen writers, became expatriates and were known in France as Generation au Feu - the "Generation in Flames." For many, a war's impact on their body and psyche lasts a lifetime. And it goes far beyond that. I have seen that trauma get passed down through multiple generations. WWI soldiers felt a hatred for their leaders who had sent them into the trenches to die and this was, and is, a piece of the bigger picture of how each lost generation loses hope in leaders and institutions.

In the early days of the Lost Generation, Russian Czars still ruled over snow-covered villages. Immigrants from around the world came in waves through Ellis Island as Orphan Trains transported children from poverty on big city streets of Eastern American cities across golden plains to farms in the Midwest. Some of those Lost Generation orphans found themselves in good families and some went through terrible abuse. Some of those orphans grew up to become well-known and successful, some eventually had to leave the Midwest Dust Bowl and head west once again to look for work during the Great Depression.

The Industrial Revolution's long, dark shadow was still casting itself across the poverty-stricken neighborhoods of cities in the Western world and many of the Lost Generation worked in factories as children and could not finish school. Yet, in their adulthood, many of them fought for public benefits, specifically those that were part of the New Deal, even knowing that most of them would never be the recipient of those benefits themselves. They had suffered enormously under the Great Depression, and didn't want future generations to experience this again. Any lost generation becomes the clear-eyed managers for the older generations ahead of them and the selfless protectors of the younger generations coming behind them.

The skyscraper became the icon of the Roaring Twenties, even while people lived in 'poor houses'. As teenagers and twenty-somethings, the Lost Generation built American railways and rebuilt San Francisco from the devastating 1906 earthquake.

The Lost Generation bought their first radios to hear George Gershwin, Louis Armstrong and Irving Berlin gracing the sound waves. By the late 1920's they were gathering around their radios to listen to westerns, soap operas, and detective shows. In mid-life, they would have sat by those same radios to hear FDR's fireside chats.

While Al Capone and Mae West became household names, and speakeasies popped up in back alleys during Prohibition, and while the parties of the 1920's were known for being big, elaborate, and full of champagne, not everyone lived a life of the nouveau riche. Many people worked in sweat shots in 'valleys of ashes' or lived simple lives in small towns. If having fun during the Roaring Twenties was a response to WWI, then eventually living a life of simplicity with a disdain for over-indulgence became the Lost Generations' regretful response to the 1920's.

After a long struggle, women in the West filled out their first ballots (1920). Women like Golda Meir, Dorothy Parker and Virginia Wolfe began to find their voices. Flappers pushed the boundaries of social class, which ultimately paved the way for Gen X to be known as the first generation to exist outside of social class.

In the early years of the Lost Generation, the first Nobel prizes were given and society worked to push itself forward. All the while, as if a strange shadow of the Dark Ages still reached over them, they suffered in Hoovervilles, in TB clinics, in asylums. So many books have been written about their suffering and a thousand of their stories still wait to be told.

While many of them were born just as X-rays were invented, they eventually saw the first PCs making their way into their younger neighbors' homes. As the Lost Generation came of age, they experienced WWI and then the Roaring Twenties, followed by The Great Depression and WWII in their midlife. In their older years, they saw both the building and the tearing down of the Berlin Wall. While they watched Amelia Earhart fly solo over the Atlantic ocean in their youth, as their hair began to turn gray, they saw the first moon landing. No wonder they were tired by the time we met them.

While I have been on a one year journey to find the Lost Generation and have written month-by-month of their lives, this has all just been a small slice of their experience. I have looked at their art deco furniture and their San Francisco skyscrapers. I have spent time with their writers.

 I have remembered those from the Lost Generation that I loved. As I began this journey a year ago, there was one last known Lost Generation soul still alive in the Western World named Emma and she passed away in Italy in April 2017. The Lost Generation soul who had the biggest impact on my life was also named Emma, who had survived the Great Depression by leaving Oklahoma and going West, which is where I met her as a child. The last Lost Gen soul in America was the adorable Susannah Mushatt Jones. The oldest living Lost Gen man is Celino Jaramillo in Chile, while the Olympics were held in Athens -- he is believed to be 121. I am in awe in of how much history he has experienced. The last Lost Generation woman now still alive is Nabi Tajima,Nabi Tajima born in 1899, the year of the first Hague Convention. I send her my respect and love over the Pacific from California to Japan. I can hardly imagine what memories she must hold in her heart and mind. She and Celino are the last known people in the world born in the 1800s. Here's to the wisdom and beauty of Nabi Tajima, here's to the amazing Lost Generation.

(c) 2017 all right reserved - writing by Chloe Koffas - all photos taken 1923 or before: fair use, other historic photos - public domain, newer photos by Chloe: Downtown San Francisco, Rockaway Beach, Oregon, Downtown Boise  


Generations, William Strauss and Neil Howe (c) 1991
(All other sources are linked to within the piece) 

Thursday, November 30, 2017

The Purple Dusk (Finding the Lost Generation: A One Year Journey)

Whenever I find myself in crisis-filled life situations, I have this reoccurring dream that takes place in the front doorway of a couple in their 80's. It is becoming stormy outside as a heavy, purple dusk falls quickly. They want to give me a meal on their red and white checkered tablecloth and a place to sleep upstairs, but because of time and human limits they cannot. Tired from their own long journey and out of resources, they send me on my way into the night. They are sorrowful, even regretful, because they know my journey will be as excruciating as theirs was. I am left alone to face my own path, unlit, and full of jagged stones. After decades of this reoccurring dream, I finally recognized these people as my maternal great-grandparents and I recognized the door on the house in a photo.

Memories of that door, and house, and town found me again when I was in high school, in a different decade and 1,200 miles away. In one of my art classes there was a book on photo-realism that sparked something strangely familiar in my heart. The artist, Richard Estes, used Kewanee, Illinois -- the small town of my maternal
great-grandparents -- as the subject of some of his paintings. His photo-like images reflected the little downtown restaurants I had walked by and peeked into on warm summer evenings as the smells of grilled steak and fried potatoes wafted by, and the shops I had gazed into on cold winter afternoons, looking at furred coats, tinseled-trees and wind-up music boxes when I was very small. It's strange the way life leaves you little clues, little doorways, to find your way on the path, so that the unfound doors of your life become found.

Even as a very small child, I knew that my time at my great grandparents' Kewanee home was very limited. I knew to be fully present in that moment when I was playing with my toys upstairs, looking through the window, when a soft, late afternoon wind blew the sheets on the clothesline like ship sails, and rays of sun came streaming like dripping honey onto a peaceful farmland-earth, the smell of sweet green grass in their summer backyard, where a million leaves cast a million shadows on the warm, solemn ground. I looked out the window and told myself, "never forget this moment."

Of memories of my paternal Lost Generation grandfather - the clearest one is of him holding me in his mid-century kitchen when I was very small. The last time I remember his wife - my great grandmother - was around Christmas when I was in college, and she asked everyone in the family to stand in a circle and sing Amazing Grace. I got choked up as we did because I could sense that it was the end of something. And it was.

All of my memories of all of my great grandparents' homes from the Midwest to the Southwest take place in the middle of a humid, scorching summer or during a torrential snowstorm. And in my Illinois memories, I always fell asleep to the sound of trains. Sometimes in this life we can sense when the end of the line is coming, sometimes, we cannot. Sometimes we idealize people because we only knew them for a brief time, and then we hear stories that give us a completely different, even saddening perspective of who that person was. It can be hard to know a person, maybe that's why it is easier to know a generation instead. We have more in common with our great grandparents than we do with other generations in our families. As the cycles of history go, we have lived through similar struggles, and we have similar collective personalities. My strongest memory of my maternal great-grandparents' home will always be of their sun-drenched back yard by day, and at dusk, the light from the fireflies, rising and falling like time and the ages.

Telephone Booths (1968) Oil on canvas. Painting by Richard Estes, pioneer of
photo-realism, Museo Thyssen-Bornemisza, Madrid (Fair Use)

As the ages go, I lived out my childhood in a previous century, and within that century is when I knew the Lost Generation. And in the paintings that looked like photographs, in the photographs that were like paintings, I will keep looking for them. In the reflections of the metal edging of phone booths and chrome on bumpers of cars, in lock and key boxes of antique stores, I will keep looking for the messages of their generation, because my generation is a lost one, too, and any sign they left behind may get us just a little further down the road, where the light of day slips away from us and the heavy, purple dusk falls too quickly.

I forget the faces of Lost Generation people I have loved until I dream, or until I open an old, analog album that smells of dust and time, and the way we humans cling to hope even in the worst of our sorrows, even when the world would have us believe we are forever lost.

"A stone, a leaf, an unfound door; a stone, a leaf, a door. And of all the forgotten faces."
-Thomas Wolfe

(c) 2017 Writing by Chloe Koffas

Tuesday, October 31, 2017

Of Flappers and Fitzgeralds - Finding the Lost Generation: A One Year Journey

In the opening lines of her book, Save Me the Waltz, Zelda Fitzgerald mentions the cycles of generations - I wonder if she sensed that four generations after her own, there would be what is considered another 'lost generation'. She was a good writer, profoundly insightful from having lived a full life, and many of her husband F. Scott Fitzgerald's most well-known words actually originated from her.   

Many of the Lost Generation tried to recover from WWI. Those that had survived the war had seen too much - many turned to alcohol or whatever would distract them from a world that made no sense. It was also an era of hedonism, though excess is often forced to an end when the times become darker - or may be exactly what causes the times to become darker. The Roaring '20s and the flappers that made that decade roar subsided after the Crash of 1929. When the Great Depression began, diamond bracelets went to pawn shops and evening gowns were hung in the back of closets.

And as it turns out, all that glitters is not gold, or even silver, it's usually all just costume jewelry.

I think the theme below sums up a lot of what we learned from the Roaring 20's written by Fitzgerald, but more likely came from his wife:

"...you can't have anything, you can't have anything at all. Because desire just cheats you. It's like a sunbeam skipping here and there about a room. It stops and gilds some inconsequential object, and we poor fools try to grasp it - but when we do the sunbeam moves on to something else, and you've got the inconsequential part, but the glitter that made you want it is gone."

F. Scott called Zelda the first flapper. From that subculture came images we now associate with the appeal of that era and why we love to wear Halloween costumes from that time: champagne, strands of pearls, opulent parties, live jazz, and speakeasies. Art deco, city lights, and sky scrapers emerged as symbols of the wealth. While there has been a fascination with the 1920's in the century since, what I'm more interested in is what was left when the party was over. Anyone can get by when times are good, but how humanity survives through hardship creates the most profound history of all. Looking back on the glamour and the aesthetics of the '20s is compelling, but it was the grit and the aestheticism of the 30's - of those who survived the Great Depression and took history forward - who made it so another generation, and many more, could exist.

The heart of history should be with every lost generation - with all the people who went from war, to loss, to feeling lost - with all those who have had to live through crisis after crisis. No generation wants to be forgotten. Here's to a shaft of sunlight on the story of the Lost Generation - those who lived a century ago, because their collective experience was not, and is not inconsequential. Their lives affect who we are today, their will to keep going made it possible for us to exist.

"And so we beat on, boats against the current, borne back ceaselessly into the past."

(c) 2017 writing and photography by Chloe Koffas - all rights reserved